Kevin Parker (musician) - Wikipedia
The long read: In a strike at the Marikana mine in South Africa ended in They had heard that the rock-drill operators at the Impala platinum mine, They had started a relationship that continued even though . One was shot through the head from an assault rifle at a distance of more than 70 metres. Being in a long-distance relationship has its challenges ― but that doesn't mean Below, we've compiled 10 stories that cover everything from. The presence of crows led our research team to the site of an impala kill Meanwhile Phyre and Milo trailed behind in the distance, wandering through December 19 . behaviour in the pride, Narnia & Milo seem to be forming a new relationship. . A blog that brings you the story of life in the Ngamo release pride.
Tame Impala - Wikipedia
I may never get that money. Released on 17 November, it included three B-sides and two remixes. By the end ofTame Impala announced that they agreed to play the Mad Cool musical concert in Spain, which would be the first live music show the band agreed to play in Musical style[ edit ] Tame Impala's music and live visuals are heavily influenced by psychedelic music. Parker's music is heavily influenced by late s and early s psychedelic rock which is achieved through various production methods.
Some favoured and often-used effects by Parker include phasingdelayreverb and fuzz. Parker's decision to make the music for Tame Impala in the studio by himself is a result of Parker liking "the kind of music that is the result of one person constructing an awesome symphony of sound.
You can layer your own voice times for half a second if you want, and I just love that kind of music".
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It gives us a lot of freedom. We don't have any things that we got from another planet or anything, it's the same things everyone else has used. A reverb is meant to make it sound like it's in a cathedral or something. If you put it the other way around, it won't sound like a guitar being played in a church, it'll sound like a church being stuffed inside a shoebox and then exploded.
You can do different things just by treating things differently. Parker has "always been in love with the wall of sound as employed by My Bloody Valentine" and he tries to capture that "melancholy dreamy feel".
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The instruments are quite sonically brutal, but the voice is really soft, and I think that kind of resonates with people. It's kind of like My Bloody Valentine, where it's really brutal sounding, but kind of beautiful at the same time". Parker has used rock instrumentation in an electronic manner, saying "The way we do music, it's organic, but it's meant to be quite repetitive and hypnotic, almost in a kind of electronic nature.
Using our playing as though it was a living sample". Parker mentioned this by saying "I had a few obsessions when recording Innerspeaker. One was to make the guitars sound like synths and drums sound like drum samples and pretty much anything except guitars and drums. I'm obsessed with confusing people as to the origin of a sound.
10 Reads For Anyone In A Long-Distance Relationship
Several miners were shot. None of them was carrying a firearm.
One was shot through the head from an assault rifle at a distance of more than 70 metres. That evening, photographs of the hacked bodies of the two dead officers are said to have been circulated among police officers across the country. One striker shot through the head from an assault rifle at a distance of more than 70 metres When Mambush and the others straggled back to the koppie, his cousin Mbulelo was there.
He heard Mambush speak to the crowd, reporting the deaths. That evening, Mbulelo called Veronica and begged her to come to Marikana. She was working and she had no money to get to Marikana.Being In A Long Distance Relationship - My Story & Advice
All she could do was to pass on her own warning to Mambush: Where are you going? What Mambush and his wife did not know was that his act of rebellion spat into the face of that alliance. Worse, members of the alliance were in contact with two of the most senior police officers in the country, who wielded not only political power but the power of life and death.
There was a lot of activity behind the scenes. Shabangu had previously been deputy minister for security. Notoriously, in Aprilshe had addressed a meeting of police officers with advice about dealing with offenders: You must not worry about the regulations. That is my responsibility. The meeting was recorded.
Even bolder, the transcript shows that Mbombo stepped outside the conventional role of a police chief, encouraging the company to take a hard line. The national police commissioner, Riah Phiyega, had given Mbombo a strong hint that she had been coming under pressure from Lonmin representatives.
Malema had turned up at the platinum mining strike at the Impala mine a few months earlier, and had taken the credit for making peace. If Malema turned up and did the same at Marikana, she said, it would look like he was in charge of the mines. And there was another alliance player to consider. Mbombo was worried, she said, that by settling their strike, the Impala management had looked like allies of Amcu, and that generally trouble was erupting because the mining companies wanted to replace the NUM with the new union.
Lt Gen Mbombo was uncompromising.
She would give the strikers a chance to surrender their weapons, she told Lonmin executives and, if that did not work: This is not what we are here for. During the meeting, he discussed the resources that were available to police, adding: The following day, Wednesday 15th, Ramaphosa was busy.
From his position on the board of Lonmin, the former union leader could have argued for negotiation, even for a better deal for the workers. Instead — as a chain of emails released to the Farlam inquiry disclosed — he argued for the police to move in.
Marikana massacre: the untold story of the strike leader who died for workers’ rights
In a message to fellow directors, he wrote: They are plainly dastardly criminal and must be characterised as such … There needs to be concomitant action to address this situation. Instead he argued for the police to move in Mambush and the 4, men who were then on the koppie knew nothing of this. Indeed, they were hopeful. They had formally elected Mambush, Xolani and three others to speak for them. From the safety of an armoured car, officers had agreed to talk, with Mambush standing on their front bumper and leaning in to the windscreen to make sure they understood the one thing they wanted — negotiation.
The president of Amcu, Joseph Mathunjwa, came to the koppie with a welcome message: This looked like an agreement to negotiate. Mathunjwa told a senior police officer: